Jun 19

Jun 19 Fire Rush

Author: Jacqueline Crooks
Publisher: Viking
Goodreads | The StoryGraph

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Note: Content and trigger warnings are provided for those who need them at the bottom of this page. If you don’t need them and don’t want to risk spoilers, don’t scroll past the full review.

Cover Description

Set amid the Jamaican diaspora in London at the dawn of 1980s, a mesmerizing story of love, loss, and self-discovery that vibrates with the liberating power of music

Yamaye lives for the weekend, when she goes raving with her friends, the "Tombstone Estate gyals," at The Crypt, an underground dub reggae club in their industrial town on the outskirts of London. Raised by her distant father after her mother's disappearance when she was a girl, Yamaye craves the oblivion of sound - a chance to escape into the rhythms of those smoke-filled nights, to discover who she really is in the dance-hall darkness.

When Yamaye meets Moose, a soulful carpenter who shares her Jamaican heritage, a path toward a different kind of future seems to open. But then, Babylon rushes in. In a devastating cascade of violence that pits state power against her loved ones and her community, Yamaye loses everything. Friendless and adrift, she embarks on a dramatic journey of transformation that takes her to the Bristol underworld and, finally, to Jamaica, where past and present collide with explosive consequences.

The unforgettable story of one young woman's search for home, animated by a ferocity of vision, electrifying music, and the Jamaican spiritual imagination, Fire Rush is a blazing achievement from a brilliant voice in contemporary fiction.

TL;DR Review

Fire Rush is an impressive debut, with an undeniably electric voice and propulsive energy that really makes it stand out. I thought the pacing was a bit uneven, but I still liked it and I’m glad I read it.

For you if: You like books that highlight underrepresented perspectives from recent history.

Full Review

I may never have read Fire Rush if not for the fact that it was shortlisted for the Women’s Prize. And though it wasn’t my favorite from the list, it’s impossible to deny the electric voice and propulsive energy Crooks has created.

The main character is a young woman named Yamaye, a second-generation member of the Jamaican diaspora living in West London in the late 1970s (the early days of Margaret Thatcher). She’s a regular of the local underground dub scene (literally, they go to a place called The Crypt and it’s in a crypt) alongside others for whom music is survival, and losing yourself is the only way to feel alive. But soon tragedy, injustice, and an increasingly hostile carceral state uproot her life, taking her to Bristol and eventually Jamaica.

I can absolutely see why this book is being praised; it has a strong, strong voice, and it crackles with rage and grief and life. This was particularly true in the audiobook experience; Yamaye’s narrator was the perfect fit and the producers included just the right (light) touch of effect to bring her music/club scene to life. Crooks makes it possible for us to take a hard look at the Black British experience of those years; them vs “Babylon.”

I think, for me, what kept this book from going on the “love” pile was some uneven pacing. It felt like it took the actual story a really long time to start, even though the narration had plenty of energy. Then as the plot picked up and I became invested in the story, some of that initial crackling energy waned.

But still, an extremely impressive debut. Glad I read it!